The Workshop

The question of whether to train formally or to develop independently has followed the acting profession for as long as there have been drama schools to attend or avoid. Both paths have produced remarkable artists. Both have produced mediocre ones. The honest answer is that neither is inherently superior — and anyone who tells you otherwise is probably trying to sell you something.

30 Minute Warm-Up “We do not rise to the level of our expectations; we fall to the level of our training.” Anon Opening Reflection I always loved warm-ups as an actor, and now as a director, I love even more watching actors get ready for their day’s work or a performance. There’s something about that quiet, focused time before rehearsal begins—the way bodies wake up, voices open, and minds settle into the work. The actor ‘arrives into the working space’. It is a wonderful rit

"Discipline builds the playpen. Freedom happens inside it.”When I train actors, I ask them to liken the studio — and, more importantly, the discipline of our work — to a toddler’s playpen. The walls protect the child from immediate danger, but inside that contained space, the child is completely free.

Recently, I found myself in the theatre, watching a production that—at least initially—didn’t land for me. The pacing felt off. Choices that might have seemed bold to others felt clumsy to me. By the final curtain, my first instinct was to write it off as simply “bad theatre,” and to judge the artists involved accordingly.

Most actors know that to be curious makes them better at their craft but many do not practice it in their every day lives, and indeed many do not practice it as one of the fundamental elements of their journey into character and the play.

39 one-minute interviews with director Glenn Hayden

We know that the world of theatre is filled with various roles that collectively create the performances we offer an audience. Among these r

The Importance of Shakespeare for Actors

A workshop for actors who are looking to unleash their imaginations and personal process to discover how character, objective, emotional res

First of all, let me tell you what my Corporate Theatre-Based Training Program is NOT.....

In the highly competitive (and sometimes cutthroat) industry of theatre, film and the arts in general, it's important to remember that celeb

Arguably, your main instrument as an actor is your voice. Having command over your voice WILL take your acting to the next level both on stage and on screen, and having a strong, flexible and open voice that you have control over will lead you to more roles and, better still, a wider range of rolls. To begin with, it's imperative that you understand that your voice, movement and your acting are not three separate fields. They make up an intertwined and complex organism that w

Understanding Stanislavski's principles, regardless if you consider yourself a method actor or not, is crucial for actors.

(There is a PDF of the Tongue Twisters at the end of this article) The Tongue Twister Vocal warm-ups are imperative for an actor, and...